{"id":37510,"date":"2019-05-20T11:42:13","date_gmt":"2019-05-20T09:42:13","guid":{"rendered":"https:\/\/aktuelles.uni-frankfurt.de\/?p=37510"},"modified":"2023-02-22T17:54:41","modified_gmt":"2023-02-22T16:54:41","slug":"a-new-project-at-goethe-university-examines-reconstruction-after-1945-in-newsreels-and-documentaries","status":"publish","type":"post","link":"https:\/\/aktuelles.uni-frankfurt.de\/en\/english\/a-new-project-at-goethe-university-examines-reconstruction-after-1945-in-newsreels-and-documentaries\/","title":{"rendered":"Film images of war ruins \/ A new project at Goethe University"},"content":{"rendered":"<div class=\"wp-block-image\"><figure class=\"alignleft is-resized\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/aktuelles.uni-frankfurt.de\/wp-content\/uploads\/2018\/11\/blog_vinzenz-hediger.jpg\" alt=\"\" class=\"wp-image-33852\" width=\"350\" height=\"242\" srcset=\"https:\/\/aktuelles.uni-frankfurt.de\/wp-content\/uploads\/2018\/11\/blog_vinzenz-hediger.jpg 650w, https:\/\/aktuelles.uni-frankfurt.de\/wp-content\/uploads\/2018\/11\/blog_vinzenz-hediger-300x208.jpg 300w\" sizes=\"(max-width: 350px) 100vw, 350px\" \/><figcaption>Professor Vinzenz Hediger; Credit: Felicitas von Lutzau<\/figcaption><\/figure><\/div>\n\n\n\n<p>How did post-war non-fiction films \u2013\nnewsreels and documentaries \u2013 represent wartime deconstruction and\nreconstruction efforts? How did these films trigger public debate and influence\nthe formation of European post-war societies? These issues are the focus of a\nresearch project in film studies at Goethe University in cooperation with\ncolleagues in Italy, France and the Czech Republic, due to launch next week.\nThe project is being funded at approximately \u20ac 1 million within the framework of\nthe European HERA programme.<\/p>\n\n\n\n<p>Public spaces were the focus of the HERA\nprogramme\u2019s 6th funding call. HERA stands for Humanities in the European\nResearch Area. The programme, which is funded within the framework of the EU\nresearch funding programme Horizon 2020, focuses particularly on the\nhumanities. Submitted applications were required to deal with the culture and\nintegration of public spaces in Europe. &nbsp;<\/p>\n\n\n\n<p>\u201cVisual Culture of Trauma, Obliteration\nand Reconstruction in Post-WW II Europe\u201c is the title of the project with which\nProfessor Vinzenz Hediger from Goethe University and his colleagues from\nFrance, Italy and the Czech Republic were successful. With the plan to\ninvestigate war destruction and reconstruction in non-fiction film from 1949 to\n1953, they were able to assert themselves along with 21 other projects out of a\ntotal of 300 applicants, and to exhaust almost the entire funding amount of a\nmaximum of one million euros. The German subproject, which is also responsible\nfor the coordination, will receive approximately half of this sum. The funds\ncome mostly from the German Federal Ministry of Education and Research. <\/p>\n\n\n\n<p>Frankfurt is an ideal central location for\nthis research in film studies: the city on the Main was heavily damaged, and\ndebates have taken place here over reconstruction vs. starting new like in\nhardly any other city in Europe \u2013 to this day. The project, however, will\nconcentrate on the years following the war: there is a lot of material to be\nexamined. To gain access to this material the four principal investigators \u2013 in\naddition to Hediger, Professor Francesco Pitassio in Udine (Italy), Dr. Lucie\nCesalkova in Prague and Professor Sylvie Lindeperg in Paris \u2013 have recruited\nthe assistance of the national film archives. With their expertise and equipment,\nthe material can be digitised and made available to a wider scientific community,\nsays Hediger. <\/p>\n\n\n\n<p>The project focuses on public spaces such as the R\u00f6mer in Frankfurt, marketplaces and other politically relevant places.&nbsp; Both formal and substantive aspects will be examined: how many aerial photographs are there? Can repeating elements be determined? Are there symbols that repeatedly surface in the debate? What effect did filmic reporting and documentation have on the debate? What are the differences and commonalities among the various European countries? \u201cOur hypothesis is that these films not only presented, but also made a massive contribution,\u201d says Hediger. Public spaces play a central role in democracy, as does their presentation in the media. In addition to the three principal investigators, one or two postdocs each will be involved in the project. The kick-off meeting to begin the three-year research project took place on 9th and 10th May in Frankfurt. The research team successfully developed workflows and refined research tools, which includes the creation of a sophisticated research database and the outlines of the main deliverable of the project, the Virtual Exhibition, a multi-lingual, film based educational experience which will be attached to the <a rel=\"noreferrer noopener\" aria-label=\"European Film Gateway (\u00f6ffnet in neuem Tab)\" href=\"https:\/\/www.europeanfilmgateway.eu\" target=\"_blank\">European Film Gateway<\/a>  <\/p>","protected":false},"excerpt":{"rendered":"<p>How did post-war non-fiction films \u2013 newsreels and documentaries \u2013 represent wartime deconstruction and reconstruction efforts? How did these films trigger public debate and influence the formation of European post-war [&hellip;]<\/p>\n","protected":false},"author":8,"featured_media":33852,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","_price":"","_stock":"","_tribe_ticket_header":"","_tribe_default_ticket_provider":"","_ticket_start_date":"","_ticket_end_date":"","_tribe_ticket_show_description":"","_tribe_ticket_show_not_going":false,"_tribe_ticket_use_global_stock":"","_tribe_ticket_global_stock_level":"","_global_stock_mode":"","_global_stock_cap":"","_tribe_rsvp_for_event":"","_tribe_ticket_going_count":"","_tribe_ticket_not_going_count":"","_tribe_tickets_list":"[]","_tribe_ticket_has_attendee_info_fields":false,"footnotes":""},"categories":[126,254],"tags":[274],"post_folder":[],"class_list":["post-37510","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-english","category-research","tag-cultures-and-arts"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Film images of war ruins \/ A new project at Goethe University | Aktuelles aus der Goethe-Universit\u00e4t Frankfurt<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/aktuelles.uni-frankfurt.de\/en\/english\/a-new-project-at-goethe-university-examines-reconstruction-after-1945-in-newsreels-and-documentaries\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Film images of war ruins \/ A new project at Goethe University | Aktuelles aus der Goethe-Universit\u00e4t Frankfurt\" \/>\n<meta property=\"og:description\" content=\"How did post-war non-fiction films \u2013 newsreels and documentaries \u2013 represent wartime deconstruction and reconstruction efforts? 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